Livingston Magazine
Second Acts, New Stories & Reinvention: Grant Rivers on Life After Medicine
Los Angeles, California
Editor-In-Chief: Jamee Beth Livingston
Publicist: Rick Krusky, MWPR Inc
[as originally published on livingstonmagazine.com]
When Grant Rivers talks about starting over, there is no melancholy in his voice, only curiosity. At an age when most people are winding down careers, reflecting on what was, Rivers seems far more interested in what might still be possible. Reinvention, for him, isn’t a dramatic pivot or a late-life crisis. It is a way of being.
Today, he is an actor, producer, and now a novelist. Yet those roles tell only part of the story of a man who has already lived several lives with a kind of restless, deliberate creativity. As he prepares to release his debut novel, Rivers is stepping into the most personal chapter of his artistic journey. “Stories find you when you’re finally ready to tell them. This one waited a long time.”
A Life With Many Chapters
Long before he appeared on screen, Grant built a decades-long career in medicine. Trained as an ear, nose, and throat specialist, he practiced in both New York’s Gramercy Park and Southern California, where he became known for his pioneering work treating actors and singers with vocal concerns. He also served annually on the vocal health symposium panel at The Juilliard School and co-founded Health Care Partners, which became the largest private medical group in the U.S. But medicine, as fulfilling as it has become for him, wasn’t quite enough. Most people ignore that feeling. Rivers didn’t.
The precision, intuition, and emotional steadiness required in his former profession would become unlikely assets later. After nearly five decades in practice, Rivers retired and later shifted his focus to acting. When he made the decision to step away from the medical field and step into the performing arts, he did so with a clarity that surprised even his friends. He took on a new name, Grant Rivers, partly to mark the beginning of a creative second act and partly to honor the personal evolution it represented. And the reinvention worked. He found himself on sets ranging from music videos to commercials.
Reinvention as Practice
Rivers is quick to point out that this transformation did not arrive overnight. “It came quietly, through years of curiosity that never quite went away. While medicine demanded precision and discipline, creativity remained a constant undercurrent, something I returned to in private moments, through writing and an enduring love of storytelling. I never felt like I was leaving something behind. I felt like I was finally making room.”
That philosophy now shapes his days. Rivers splits his time between writing, acting, and development work through his independent production company, which he runs with his wife, Carmen. Together, they focus on stories that bridge generations including narratives that explore love, legacy, and second chances. Carmen, a professor at California State University, has recently joined Grant on screen. As partners in life and art, the couple continues to create, perform, and inspire while building their next chapter together.
Their first television pilot, Helen and Harold: Wrong Turn, earned early recognition on the festival circuit, validating the couple’s instinct that there is a hunger for stories that embrace — rather than avoid — the complexities of aging. Since then, they have continued developing additional screen projects, many of which focus on intergenerational dynamics, comedic misadventures in late-life reinvention, and the universal need for belonging.
A Different Kind of Success
His debut novel, A Second Chance at Love: A Texas Love Story, marks his most intimate creative leap yet. The story originated as a screenplay Rivers co-wrote years earlier and was later adapted into a novel. Set in Texas, the story draws on themes familiar from his own life, including enduring connection, regret, and the resolve required to begin again.
The novel’s emotional patience mirrors Rivers’s own life path, less about dramatic transformation than about allowing space for growth. It is, in many ways, a meditation on time: what it gives, what it takes, and what it still offers when approached with openness.
What distinguishes Rivers in a culture enamored with vitality and instant achievement is his refusal to frame this chapter as a comeback. He speaks instead about continuity; about honoring every version of himself that came before. “There’s value in every season of your life. You don’t discard them. You carry them forward.”
Still Growing
For Rivers, success now looks less like achievement and more like alignment: choosing projects that feel honest, working with people he trusts, and staying engaged with the world around him. As he steps further into his literary and creative life, Rivers remains keenly aware that personal evolution is not a destination but an ongoing practice. There is no final version of himself he is trying to arrive at, only the next honest step. “I don’t think we ever finish growing,” he said. “And I wouldn’t want to.”
In that quiet refusal to settle, Grant Rivers offers something rare and quietly radical: permission to believe that life can keep unfolding, long after the world expects it to narrow. In an industry often obsessed with youth, Rivers doesn’t pretend to be anything other than what he is: a man who has lived, who has loved, who has made mistakes, who has evolved. That authenticity not only shapes his new novel but also gives his acting a quiet gravity that screen training alone cannot teach.